The main problem, though, is the trashiness of everything here. The problem with the song (and much of the release) is it feels like a poorly-thought-out attempt at "anthemic," and the uneasy feeling that everything here was made specifically for the arena doesn't help its quality. Praised by many for actually having legitimate chords, it's unsurprisingly a highlight of a dismal EP - Flux Pavilion is actually doing something different for once, though to be fair the results are mixed in this particular case. When having any sort of discernible melody at all is lauded as a huge step forward, as in "Starlight", it's not a good thing. The nasally synths Steele used with such success on his previous material are starting to get annoying, and the fact that he employs them on every single track on the EP doesn't help anything. I can't deny that it is, though - it's trashy, it's repetitive in all the wrong ways, and most importantly it's simply not interesting. Plus, I respect Steele as a person - through the two AMAs (interview-type forum threads) on Reddit he's done since he made it big, he's garnered my admiration as a humble man who works hard on every endeavor he undertakes.ĭue to my feelings about Flux Pavilion, it's painful for me to say that Blow The Roof is a bad release. After all, though in retrospect Lines In Wax was decent at best, the joy I felt listening to it the first few times was incredible, and I greedily tore into the rest of the electronic music out there afterwards. Lines In Wax was one of the first stepping stones on my admittedly short path into electronic music, and for that I feel a great sense of obligation to Flux Pavilion. He introduced me to a world full of great music about which I never would have dreamed before. Joshua Steele) was willing to show me the proverbial way. Though my previous experience in electronic music had consisted almost entirely of Skrillex, The Crystal Method's Vegas, and Pendulum's Immersion, Flux Pavilion (a.k.a. His Lines In Wax EP was one of the first full releases I could call my own - as a member of the influx of electronic music fans in the so-called "EDM revolution" in America, Flux Pavilion was one of the first producers I discovered. It's especially difficult to say it because I'm a longtime fan of Flux. It hurts to write this, but I have to say it: Flux Pavilion's new EP is bad.
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